Antares AMM-1 Spezifikationen Seite 40

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40
Chapter 7: Get Creative
Up to this point, all of the instructions in this manual have focused
on how to use the AMM-1 for its primary purpose: making one mic
sound as accurately as possible like another. But dont let that limit
you. Weve purposely given the controls wide ranges to allow you to
move beyond what might be considered useful for strict modeling.
Try some of the following:
Select a Source Mic that doesnt match your physical mic. In fact,
try one whose characteristics are as different as possible from
your physical mic.
Select Bypass for the Source Mic to combine the sound of your
physical mic with the sound of the modeled mic.
Create a Hyper version of one of your source mics. To do this,
select Bypass for the Source Mic (to pass through the sound of
your mic unmodified) and then select your source mic in the
Modeled Mic menu. The result will be to accentuate all of the
characteristics that give your source mic its unique character,
making it sound like itself, only more so.
Use the AMM-1 as a mastering tool. Process your entire stereo
mix through a mic model (this will, of course, require two
AMM-1s). Set the Source Mic to Bypass and try a variety of
Modeled Mics. This is basically a trial and error process, but a
number of engineers and producers have reported some truly
amazing results.
Extreme Proximity settings can give strange, but interesting
effects. Try wildly differing settings in the Source and Model
sections.
Dynamically change Proximity settings during a performance.
Overdrive the Tube Saturation section for some serious gruzz.
None of the above are likely to give you the sound of any mic that
exists in nature, but they can definitely give your recordings unique
and striking timbres.
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